June 12, 2008

"Synchronicity II" - The Police - mean speed=159.8 beats per minute - meanspeed music theory view, pt II



















On August 5th, 2007 the Police began their concert with the song called "Synchronicity II."

Yesterday, we examined the speed of the song on a graph which began its calibration on the first backbeat, or beat 2 of the song. Above, we see the same recording of the song, from the album, Synchronicity beginning on the first downbeat. Also, as you see, the versions of calibrations based on beginning on beat 1 and beat 2 are compared. As with the next two parts in this series on this most amazing of songs, the groups are compared in contiguous groups of 10 beats.

I hope you are looking forward to a graph where the speed calibration begins on beat 3 and beat 4, as they will be next.

There can be no doubt that this is one of the greatest rock compositions and recordings of the 20th century. In calibrating the song, what I have found in regard to beginning the calibration on the downbeat - beat 1 and the backbeat - beat 2, is that while Sting dominates the 1 and 3 of the 4 quarter notes and Stewart Copeland dominates the backbeats - beats 2 and 4 of the measure. In measuring, I could hear much of which made the magic of the Police happen. Quite simply, while drummer Copeland and bassist and singer Sting are the best of musicians, they play although they were in different countries, while guitarist Andrew Summers tries to fill in the middle spaces. This creates: the most exciting of counterpoint.

Sitting 3 rows from the stage over a week ago, I am surprised and happy that the performance was of such outstanding musical quality that in a way I still feel as though I am standing right there on the New Jersey field on which they played in Giants Stadium, East Rutherford, New Jersey.


Speed Summary, Synchronicity II from beat 1, the first downbeat -
beats measured=760
mean time=4 minutes, 45 seconds
mean speed=159.75 beats per minute
average beat=376 milliseconds
mean phase=2.66 cycles per second
corresponding pitch=681.6 hertz, 57 cents>E5=659.3 hertz, 43 cents>F5=698.5 hertz.


Ian Schneider
Sarah Jane Bristol
James C.C. Manning
June 12, 2008

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June 11, 2008

"Synchronicity II" - The Police - objective tempo=159.8 bpm- meanspeed music conjecture test, pt I










On August 7th, 2008, The Police will end their extended and most excellent reunion tour at Madison Square Garden, located between 31st and 33rd streets and 7th and 8th Aveue in New York City, once the coolest place on earth, now just a mockery of itself.

On August 5th, 2007, the Police opened their show with the song called "Synchronicity II," a song that has always been my favorite Gordon Sumner/Sting composition.

Meanspeed Music will be examining the song in detail in four ways in a four part series.

In each analysis, the song will be broken in four different ways in one manner. Specifically, in today's post, as with all the others with Synchronicity II, we will show contiguous measurements of 10 beat groups. Today, we will show the measurement beginning on beat number 2 - the first backbeat. In parts 2-4 of this series, the measurements will begin on beat 1, beat 3 and beat 4 respectively. Each time, we will be able to see the degree to which measuring the speed of this song beginning on a different beat affects the overall meanspeed contiguous calibration chart.

We have no idea what the results will be.

Speed Summary, Synchronicity II from beat 2, the first backbeat -
beats measured=760
mean time=4 minutes, 45.4 seconds
mean speed/objective tempo=159.8 beats per minute
average beat=376 milliseconds
mean phase=2.66 cycles per second
corresponding pitch=681.6 hertz, 57 cents>E5=659.3 hertz, 43 cents>F5=698.5 hertz.



Ian Schneider
Sarah Jane Bristol
James C.C. Manning
June 11, 2008

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June 10, 2008

The Meanspeed Music Conjecture Applied to the most Popular Television Drama on Planet Earth

The amazingly fantastic actress Susan Flannery as STEPHANIE FORRESTER, a family leader in the spirit of James Gandolfini as TONY SOPRANO, Al Pacino as MICHAEL CORLEONE or Eric Braeden as VICTOR CHRISTIAN NEWMAN in a meanspeed contiguous calibration chart.

Bold and the Beautiful

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Stories

Monday, May 12

Rate Don't Cry For me, Patrick Dempsey I - Meanspeed-Carlton Tempo ...

Original at meanspeed music conjecture external link Mon, May 12 via Google Blogs external link

By Ian Andrew Schneider The Bold And The Beautiful, the most popular television drama in the world, the show with the most live feeds internationally, featured the Forrester-Logan wedding on May 9. Susan Flannery's performance was truly great. John McCook ...

Wednesday, Jan 23

Rate Eric Forrester, as Robert Palmer (1949-2003) "had to face it ...

Original at meanspeed music conjecture external link Wed, Jan 23 via Google Blogs external link

By Ian Schneider Eric Forrester, Sr. is a fictional character on CBS soap opera The Bold and the Beautiful. Eric has been played by John McCook since the show's beginning in 1987. He made brief guest appearances on The Young and the Restless in 2005. ...


Ian Andrew Schneider
Sarah Jane Bristol
James C.C. Manning
June 10, 2008
ssn/7746


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June 9, 2008

Self-Control, Comfort and Serenity through Meanspeed Music Theory : "WILD WILD LIFE" - Talking Heads - Music Conditioning *YOU* control. Nice!




Let us go through the process by which we give you speeds and tempi accurate enough that we stand by, vouch for and guarantee their accuracy. Further, we at Meanspeed Music guarantee that once you get a feel for the simple yet radical mean speed music theory, your mental self-control will receive a lifetime free gift that you will never live without.

OK. Big words. Let's get to the proof. First, let us imagine that we are going on a trip to Philadelphia, Pennsylvania - and of course we will want the song by The Talking Heads called "Wild Wild Life" on one's playlist, or play list, depending on how many times your parents yelled at you as a child! Nothing like going over the Benjamin Franklin Bridge to the Heads! We already have purchased the album pictured below: TALKING HEADS: Popular favorites.




Okay, we have ripped the CDs into our mac - or your computer for you Windows people - or, just purchased the album directly from iTunes. We chose the download form, in order to get the cleanest recording.

There are many ways of playing around with the screens on iTunes in order to play with the making of playlists - which often is more fun than listening to that same list back again. Trust us on this, though, you geniuses: once you start going with the additional information of precision of speed in organizing your listening, to coin a phrase, You won't go back!

Here is a look at Wild Wild Life where we chose the screen that alphabetizes the song - interesting, but helpful?


Next we tried a screen that alphabetizes the Talking Heads album. Again, interesting but how helpful is this when putting a Psyche Playlist together? One must be psyched to go on that road trip to Philadelphia - the Land of McNabb!


Here is "Wild Wild Life" where the iTunes screen is alphabetized by the name of the band. What is fantastic about this is: you can keep playing around, and you cannot break the system! This is Wild Wild Life where the albums are grouped by year - interesting, maybe. Useful for a Philly playlist? I do not know about that!

We next tried a view where the song is listed in order of time played - here, the song, as you can see below, is 3 minutes 40 seconds - and again, interesting, but only helpful if you are still using tape cassettes - both of you!


James Manning just took a look at that screen shot and started to snicker - I emphasize *started* - as I said - Manning, you supervise. When you start calibrating, you may start laughing! James replied, "I like a man with spunk, son, but only once - another comment like that, and you may find yourself in the dog house. Did you do *any* work last night!?"

Indeed, following the methodology section found on these pages and started coming up with the power with which we work daily: SPEED. First we calibrated 9 trials of the song in groups of 10 beat contiguous groups, thereby providing a seamless line of advance. The spreadsheets, once all these numbers were entered looked exactly like the screen shots of the Excel spreadsheets- actually, these are exactly what we used, so if you try this at home, you will obtain the same speeds -




OK- Now we were getting somewhere. What did these nine trials yield? First a "Larry King Live" scatter graph upon which we embedded the formulas that showed the trend-line for each of the nine trials:


Our line graph of the 9 trials was so interesting, to Sophia Newman, especially, that we featured a similar chart as the header of the review! Here it is *in context of this explanation* of music and self-control through use of speed -


Of course, it came down to number crunching time, where the human error. No, all you beautiful people, as good as I try to be, one of a Hunter Newman cannot be perfect! At least eight trials are needed - here nine - in order to be crunched and cut out the "Hunter Newman Human Error" factor.
Here is a crunched chart with a logarithmic trend-line. Nice work by Microsoft!



Sophia said, "what about some three-D, man? We don't do it every day, and you'd be surprised at the downloads on the 3D graphs - they are popular, Hunter." Sophia is the voice of reason, therefore we produced these graphs, again based on the spread sheets above - allowing you to do it yourself at home in different colors, different 3D views, different Y-axis values. Bill Gates, your search is below awful, for right now (writing in November 2007 - let us see what happens, man!) but your software rocks!

Who but a Gates could release a program that has essentially remained unchanged for 13 years, and is still the standard? Another use of calibration plus Excel software is below - not bad! It would take us about a year to draw the same thing - and it would not be as precise -


What about those iTunes screen shots? When we entered the songs BPM in the BPM column, something done *easily* by
1) highlighting the song to be tagged with beats per minute ("BPM"); and
2) holding down CONTROL + I; and
3) entering the BPM in the empty box, and closing out.

Simple! This manner of looking at the song is not *better* than the iTunes screen shots above where speed is not used - it is a NEW, DYNAMIC, SIMPLE manner to enjoy music - and *maybe* - just *maybe* once you become a speed genius by learning the speeds of the songs you love, you will achieve a sense of well being through the self-control of KNOWING the speed of the music Playing in your head!


Meanspeed-Carlton™ Music Summary
calibration and charts © 2007 by Hunter Newman. Supervised by James Manning.
trials calibrated=9
time elapsed=1,841.58 seconds
beats measured=4,140
beats per trial=470
mean time per trial2054.59 seconds
mean emotion according to mean speed music theory=[mixed fast]
mean speed=137.8 beats per minute
average beat=0.4354 seconds
beats per second=2.297
pitch=588 Hertz
album=Sand In The Vaseline
Kind=AAC audio file
Size=4.3 MB
Bit Rate=160 kbps
Sample Rate=44.100kHz
Profile=Low Complexity
Channels=Stereo
Encoded With=iTunes v&.0.2, Quick Time 7.1.3




Hunter Newman
6/9, 2008


"Lady Madonna, Lying on the bed, Listen to the music playing in your head!" - John Lennon and Paul McCartney


ias/7746


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June 6, 2008

Meanspeed Music Company supports a DREAM TICKET: Obama/McCain - The Lincoln-Reagan Illinois man + the Patton/Ike-like Independent warrior.



Through the primary season the Meanspeed Music Company has supported Barack Obama as the Democratic nominees. We have also endorsed John McCain as the Republican nominees.



Contrary to Euro-trash criticism of a United States built by Europe in ultimately racist manner and then blamed on the United States itself. Slavery was outlawed in England by 1710, yet encouraged its continued practice here in the colonies by the ueber-snobs in Europe as to keep the free cheap flow of rum, tobacco and cotton coming. Sound familiar? No? That would be called: you never heard about it because before people spoke out, as that of a Bill Maher and Pat Buchanan in their wholly different yet wholly patriotic messages of **Better to be politically incorrect and get the issues candidly on the table rather than a country of affected disingenuous snobs who are kind to your face but mock you to your back**!

When we in the United States began electing heads our Commanders-In-Chief, the top electoral college vote getter became the President, the second place finisher the Vice-President.

Around the time of Andrew "Stonewall" Jackson, the "to the victor go the spoils system," where the executive in chief, IE the president, began to choose his own Vice-President.

We endorse a return to that system. The voters have spoken. The Republican nominee will be Senator John McCain of Arizona, the Vietnam veteran who endured 5 years of prisoner-of-war torture and beatings and made it out of the Hanoi Hilton alive. The Democratic nominee will be Senator Barack Obama of Illinois, who was Harvard Law Review and is inspiring people from around the United States and beyond with his definition of his life as the American struggle and the American dream. McCain is 70 and his mother is a sharp-as-a-tack year old 97 year old. Obama is 46 and his wife is a sharp-as-a-tack 44 year old.



Meanspeed-Carlton Summary
song title="Signed, Sealed Delivered I'm Yours"
Album=Stevie Wonder: The Definitive Collection
Intellectual Property=Motown Records, Copyright 2002
Kind=Protected AAC audio file
Size=2.6 MB


Meanspeed Music Summary

Bit Rate=128 kbps
Sample Rate=44.100 kHz
Volume=(-13.1) dB
Profile=Low Complexity
Channels=Stereo
Beats calibrated=2,520
mean time per trial=150.04222 seconds
average beat=550 milliseconds
mean speed/average tempo=109.0 beats per minute
Emotive category according to the meanspeed music conjecture=lust
Special Event=Barack Obama Psyche Song




Elton, above, sticking to his masterful musicianship, not cow-bowing "royal" nonsensense.

Elton John tossed one of his toupees into the ring in favor of Hillary: this was the beginning of her end. Elton: we beat you in a war of INDEPENDENCE. Butt out, we pleaded - while we respect your bold sexuality, your voice means nothing to a United States voter, dude - sorry. We fought your insane "royalty" system as your crazy King named George believed in teh Divine Right of Kings and would have loved the most racist and at the same time most Islamic-Terror loving ("we need Sharia law, and we need it now!") Archbishop of Canterbury, the smarmy, arrogant loser Rowan Williams. Elton, the knight in shining sequins: memory fades but is not erased on this. Jeb Bush will not be the next President - or don't you get that? You should have left royalty in The Late Diana Spencer's resting spot, man. No one is BORN BETTER than anyone else - and, even if that were true, as some excel at things at which others flounder, as Bruce Hornsby could play circles around you on the piano and yet not have 1/20th your creativity, our system is one of *merit* to us, [Mr.] John - which is why you are quite a bit wealthier than Bruce.. No one *appointed* you as ROYAL COMPOSER TO Prince Charles - and look at your amazing career notwithstanding! Imagine if Julian Lennon was the only one allowed to compose for England? Save The Queen would be replaced by Too Late For Goodbyes into a Yoko space jam into Julian does a Norwegian Wood in rap. Fleetwood Mac, 1/2 English, sang for Bill Clinton and he won, but Bill Clinton could do just about anything, including keeping his wife from the nomination by prancing around like Barry Manilow in campaigning for Senator Clinton.

The comedian writers are doing Barack Obama no favors. If the only thing you can do with the life of John McCain is laugh at him for being 70 years old, then you are seriously devoid of creative talent in humor - and by the laws of karma (well, the *principle of karma*) when you, Jay Lenno and you Dave Letterman turn 70, in a very short time, as if you need to be reminded, you will regret your seemingly funny bit in truth bitter and hostile jokes. Once it is funny, two times it is not, three times: you are desperate. Craig Ferguson: come on man, show these guys the loosely cool manner of the Scots. In the alternative, you might match every McCain must be senile joke with a Obama can't decide of he likes fried chicken or or filet mignon as he has parents of mixed race joke. How HYSTERICAL would that be? It would be in fact low and racist - so stop the 4th grade humor and get to the return to the United States as a respected and feared and loved nation. Not a nation where Sharia Rowan Williams-propogated (yes, rational people, England has a STATE RELIGION, ie, institutionalized superstition) law takes us over, all women where birkas, music is outlawed, and Jews are to be killed because there is nothing else to do in the oil soaked yet water and produce poor "Middle East." Rowan, my man, you simply are the biggest disgrace to the former country in which I now sit (yes, Princeton once was an English colony). I suggest you hang yourself by your beard or the last of the hairs on your head and hang over the River Thames until we are done here.

OBAMA

Ian --

You've heard about all of these political fundraising dinners, hosted by Washington lobbyists and filled with representatives of special interests.

Contributions like these are at the root of what's wrong with politics. And John McCain and Hillary Clinton have built campaigns fueled by them.

But our campaign is different.

In February alone, more than 94% of our donors gave in amounts of $200 or less. Meanwhile, campaign finance reports show that donations of $200 or less make up just 13% of Senator McCain's total campaign funds, and only 26% of Senator Clinton's.

Our funding comes from a movement of more than one million people giving whatever they can afford.

And in the next week, four supporters will be selected for a new kind of fundraising dinner.

Make a donation in any amount between now and 11:59 pm EDT on Monday, March 31st, and you could join Barack and three other supporters for an intimate dinner for five.

We're reserving two of those seats for previous donors like you. Make your donation now:

https://donate.barackobama.com/dinner

This movement is changing the way campaigns are funded.

More than one million individual donors have demonstrated that this election is about more than a candidate -- it's about each of us having a personal stake in the future of American politics.

Meanwhile, Senator McCain has raised more than 70% of his total campaign funds from high-dollar donors giving $1,000 or more. Senator Clinton has raised 60% of her funds from $1,000-and-up donors. And both Senator McCain and Senator Clinton have accepted millions of dollars from Washington lobbyists and special interest PACs.

Refusing to accept donations from lobbyists and special interests has allowed this campaign to answer only to ordinary Americans like you. And this dinner will be an opportunity for you to sit down with Barack and your fellow supporters and talk about the issues that matter in your life and in your community.

Get the kind of treatment that John McCain and Hillary Clinton reserve for special interests -- make a donation in the next week, and you could share your story and your ideas with Barack in person:

https://donate.barackobama.com/dinner

With every single donation, we're building a movement to change American politics. Help the movement grow, and own a piece of this campaign today.

Thanks for your support,

David

David Plouffe
Campaign Manager
Obama for America

McCain -

John McCain to me
show details Jun 3 (2 days ago)
Reply


JohnMcCain.com


My Friends,

Tonight, we can say with confidence the primary season is over, and the general election campaign has begun.

Each American faces a decision this election and the choice between my candidacy and Senator Obama's could not be more clear. This is a change election. But the choice is between the right change and the wrong change; between going forward and going backward.

The right change recognizes that many of the policies and institutions of our government have failed. The right kind of change will initiate widespread and innovative reforms in almost every area of government policy from energy to taxes to government spending and the military.

The right change will stop impeding Americans from doing what they have always done, overcome obstacles and turn challenges into opportunities. Today, I humbly ask you to join my campaign for the right change, as we move forward together as a nation. Please follow this link to make your generous campaign contribution right away.

The wrong change looks not to the future, but to the past for solutions that have failed us before and will surely fail us again. Like others before him, my opponent seems to think government is the answer to every problem. That's not change we can believe in.

My friends, we're not a country that would rather go back than forward. We're the world's leader, and leaders don't hide from history. They make history. If we're going to lead, we must reform a government that has lost its ability to help us do so.

You can take direct action today by making a donation of $25, $50, $100, $250, $500, or any amount up to the legal limit of $2,300. Your generous support will enable me to take my message of the right change and reform directly to the American people.

I don't seek the presidency on the presumption I'm blessed with such personal greatness that history has anointed me to save my country in its hour of need. I seek the office with the humility of a man who cannot forget my country saved me. I assure you that if I'm elected president, the era of reform and problem solving will begin. From my first day in office, I'll work tirelessly to make America safe, prosperous and proud. And that, my friends, is the kind of change we need.

Sincerely,

John McCain

P.S. We need change in this country, but we need the right change. I am prepared to lead this country in the right direction, but I will need your help to get elected. Follow this link to make a donation of any amount up to the legal limit of $2,300. Your generous support will make all the difference in determining the type of change our next president brings to this nation. Thank you.


Contribute



John McCain 2008
P.O. Box 16118, Arlington, VA 22215
Phone: (703) 418-2008

Paid for by John McCain 2008 · www.JohnMcCain.com







The speed charts were created by Meanspeed music using the following method -

1) Listen for a songs underlying pulse, almost always found as quarter or eighth notes;

2) Begin the recording again, and using a lap stop-watch. Start watch on the first discernible beat;

3) Upon the next beat, start to count. I use a simple mathematical calculator set to "0 + 1=", thereupon making the first time I hit the = key beat one, and so on. *Every* underlying beat is to be counted;

4) To perform actions 1-3 above, use one hand to hold the watch, the other to keep every beat counted;

5) Each time the counter hits a factor of ten, press the "lap" button on the stopwatch, thereby measuring the 10 beats that have immediately been heard while keeping the total time unaffected. This is a common way to time swimming laps and track laps;

6) At song's final discernible beat, hit the "Stop" button rather than the "Lap" button on the stopwatch. The final stop will also measure the final beats in isolation.

7) Record all data;

8) Repeat same process eight times;

9) Average the entire song. Using simple cross multiplication, you can determine the song's "average tempo" or "MEAN SPEED"

10) Average each group of ten beats. Using simple cross multiplication, you can determine t speed albeit at an error of closer to 1 %, of each grouping of beats. One need not use 10 to create the speed graphs I have so created. So said, in my experiments groups of ten usually make for the most easily seen speed trend of any song;
11) To create a speed graph yourself, simply use the obtained numbers on a spreadsheet software program (I have been using Microsoft's Excel since 1995);

12) If it is simply a general number within 3-5% error rather than the scientific error described above, simply use the "tap link" on this site, or any of the other such "tempo" programs available.



The frequencies for the live version of September by Earth, & Wind & Fire are shown above in a radar speed chart and a linear speed chart with trend-line, featuring groups of contiguous 4 beat groups averaged in 10 trials.

Meanspeed Summary for SEPTEMBER -
meanspeed=125.8 beats per minute
emotive category according to meanspeed music theory=Victory.
average beat length=478 milliseconds per beat.
corresponding pitch=268.373 Hertz, 43 cents above C4=261.626 Hertz, 57 cents below C#4/Db4=277.183 Hertz.


Ian Andrew Schneider
Meanspeed™ Music Company
June 6, 2008

WE SALUTE OUR WAR HEROES WHO MADE REPUBLICAN DEMOCRACY POSSIBLE 64 YEAR AGO TO THE HOUR WITH BOLDNESS THAT CAN BE SEEN IN TOM HANKS' BEST FILM, 'SAVING PRIVATE RYAN', BROTHER SPIELBERG'S FINEST CONTRIBUTION TO THE UNITED STATES ALSO. PERSONALLY, MY UNCLE MELVIN SCHNEIDER WAS IN BATTLE ON THE EASTERN FRONT ON SAME DAY, AND I SALUTE BOTH HIM AND MY COUSIN BRONZE STAR CAPTAIN JEFF SCHNEIDER OF ROCKWALL, TEXAS WHO HAS SERVED 4 TOURS OF DUTY IN 17 YEARS AS AN R.O.T.C. SUCCESS MAN FROM RUTGERS UNIVERSITY.

WE STAND AS A FREE NATION BECAUSE OF THE SELFLESSNESS OF SUCH PEOPLE, OUR CIVILIAN RUGGED INDIVIDUALS- AS THAT OF A MCCAIN OR OBAMA, CLINTON OR GIULIANI

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June 5, 2008

Dave Matthews Band - "Grey Street" - Do These 5 Versions Reflect the Speed of the Ideal Moment -





Meanspeed-Carlton Summary

composer=David J. Matthews
song=Grey Street
performer=Dave Matthews Band
event=concert at Piedmont Park, 2007
average velocity/meanspeed=105.2 beats per minute
average beat=571 milliseconds
mean emotion according to meanspeed music theory=natural
recording source=iTunes
Bit Rate=128 kbps






Sample rate=44.100 kHz
Volume=(-11) dB
Profile=Low Complexity
Channels=Stereo
intellectual property=Bama Rags, © 2007 Bama Recordings, L.L.C.



We have explored the last legal version of Grey Street we could buy.

Again, the song averages 105.2 beats per minute - still within the meanspeed music theory category (mean emotion) of what we still call "natural." I say "still called" because of all the categories this speed might best be called "The Speed of There" of "The Speed of the Ideal Moment."




It does turn out to be the universal speed of orgasm - source: axiomatic German studies from 2 years ago which overturned the former orgasm paradigm held by Masters and Johnson. Dr. Masters had proven, and this holds, that no rhythmic quality to a sexual act between two lovers of different sexes (or the same sex, by definition) is common EXCEPT at the speed of sexual climax, both men and women experienced 6 to 10 uncontrollable spasms of bot the genital area and the anal area. In 2003, German scientists went all the way (literally) and inserted anal devices of spasm measurement in order to challenge the spasms starting at 80 pumps per minute. Sure enough, the universal speed of orgasm is 100 pulses, or pumps or beats per minute, slowing down little by little, literally and figuratively.

What one hears in the version of Grey Street, after we have heard
1) Busted Stuff, 2001
2) Live at AOL benefit Concert, 2002
3) Live at the Gorge, 2004
4) Live on Trax Vol. 6, 2006
5) Live at Piedmont Park, 2007 -

what we hear is a fresh song starting to get stale, all in the same speed range. Someone on the Piedmont Park mix turned up one musician, who will go nameless - he played one 11 note chromatic riff for 4 minutes. I've heard that riff in the song before - hear it is so loud that it seems like Dave wants to embarrass him by saying; dude, listen to that - learn some melodic lines, please. This is a rare song that when you look at those concerts which I have compared and contrasted, the quality of the song suffers a little bit with every passing couple of years. Perhaps Dave and the Band should closet the song for a while and make it fresh again.

I sound harsh. I have listened to the song about 75 times over the last 5 days - calibration style active listening, and therefore I understandably am a little sick of it right now, like eating 7 chocolate cakes. On a great day, I can easily put away an Entemann's "chocolate marshmallow" cake in its entirety in. Not 75 of them though. I'll probably start loving the song in all versions again tomorrow!



Ian Schneider
Meanspeed Music
December 28, 2007

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June 4, 2008

MY HOMETOWN, by Charlie Robison, live Unleashed and comparison with studio--meanspeed=graceful



JEFF SCHNEIDER, BRONZE STAR CAPTAIN, U.S. ARMY, THREE TOURS IN IRAQ, ONE TOUR IN BOSNIA

the pride of the Schneider's of Texas and the Schneider's of the United States in general.






The mean-speed, or the speed of the My Hometown as live "Unleashed" expressed as beats per minute on this live recording= 71.4 beats per minute.
The mean-space, or time
of My Hometown as live "Unleashed" between each beat= 840 milliseconds.
The mean-beat
of My Hometown as live "Unleashed"on the recording = 1.19 beats per seocnd.
The mean-frequency, the speed
of My Hometown as live "Unleashed" as cycles per second= 1.19 Hertz.
The mean-tone= 304.64 Hertz in equal temperament, 42 cents above D4=293.665 Hertz, and 58 cents below D#4/Eb4=311.127 Hertz.


Captain Jeff Schneider of Texas, who introduced me to the music of Charlie Robison, pictured above at the outdoor Schneider basketball arena (patio) just a few years before he joined the infantry, was kind enough to send me the live version of My Hometown along with twelve other Texas iTunes tunes.
In regard to what Jeff thinks of this song while thinking about Home while in the midst of the Iraq war: he was wrote a bit about that, and you can read it on yesterday's blog, July 8th, 2006. At the time of his last tour, Jeff left for a time his wife Meredith-- 3 months pregnant, and his son Benjamin, 2 1/2 years old. Before Jeff's daughter was born, he was in Iraq and the Humvee convoy which he was on stopped for a few minutes for a quick cat nap. While sleeping three-quarter-eyed under his Humvee, a mortar was fired in his direction, and missed by, well, not very much--the pressure of the round was felt. The Presence of the Lord was felt indeed! Hence Meredith and Jeff's daughter's name: Faith.

Everyone seems to have enjoyed My Hometown, and today's 5 graphs do two things: (1) illustrate the live version alone and (2) compare the live version to the studio version.


Best,

NY, New York
June 4, 2008

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June 3, 2008

KISS ME - Sixpence None The Richer - meanspeed music changes category name from 'natural' to 'comfort' at 98-105 bpm

photo: copyright © 2006 by Julianna


Meanspeed-Carlton Summary
song title="Kiss Me"
performer=Sixpence None The Richer

mean speed/average tempo=100.0 beats per minute;
mean emotion=comfort;
beat frequency=1.67 beats per second;
average length/beat=600 milliseconds;
average length/measure=2400 milliseconds between measures mean slow phase=1.55 cycles per second;
corresponding pitch= 426.67 Hertz, 46 cents above G#4/Ab4=415.305, 54 cents below A4=440.000 Hertz.


Ian Schneider
Princeton, New Jersey
June 3, 2008

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June 2, 2008

Great Psych Song on Tom Brady Playlist by DMB! - "WHERE ARE YOU GOING" - Meanspeed-Carlton Tempo Analysis - Dave Matthews Band - tempo=97.1 BPM








This is a song by the Dave Matthews Band called Where Are You Going from the CD Busted Stuff.

1) mean speed/average velocity=97.1 beats per minute;
2) average beat length=618 milliseconds;
b) average beat length=2.47 seconds per measure;
3) beat frequency=1.317 beats per second;
4) frequency expressed in audiological academic terms=1.6183 Hertz/cycles per second;
5) corresponding pitch=414.293 Hertz, 96 cents above G4=391.995 Hertz and 4 cents below 4 cents G#/Ab= 415.305 Hertz.

While DMB's "#41" is firmly fixed in the speed of lust and desire, Where Are You Going is a song that is an archetype song of confident enthusiasm, much in the line of Stevie Wonder's Knocks Me Off My Feet at the same speed range--joy in infatuation sometimes makes for great songs.

the Dave Matthews band are:
David Matthews, vocal and acoustic guitar, Carter Beauford, drums and percussion, Leroi Moore, woodwinds and horns of every type, Boyd Tinsley, electric violin and Stefan Lessard, bass player of many strings.



Best,

NY, New York
2 June 2008

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