October 12, 2006

John Denver's all time Greatest Hit, "Take Me Home, Country Roads" meanspeed=82.1 beats per minute, meanemotion=Loneliness






Objective Speed Review

August 29, 2005
Artist: John Denver
CD: Best of John Denver

"Like vinegar on a wound is one who sings songs to a heavy heart." -Proverbs 25:20

"I hate happy songs. Happy songs make me miserable." Sting, c. 20th century

In order to see the patterns that I now call "mean speed music theory" or "Meanspeed theory," I saw about 200 songs grouped together by speed. Some songs I were more familiar with than other songs.

That initial discovery took pl ace in July 1988, and after calibrating 5,000 songs of all popular types (yes, I can certainly be criticized for staying with what is 'popular)-a cursory lists of my beats per minutes so shows. Meanwhile, tens of thousands of songs are released on CD and online per minute. So my current list of about 11,000 is all about *narrowing down* the popular-but-meaningful from, well, everything else. To the extent that some of the material on this site was copyrighted in 1992 was because of the *discretion* and the *lack* of some monster amount of songs from which to make wild inductions.

Ok. So now the list is, as above, 11,000. Of all of them, three above all bothered me-they didn't fit Ian Schneider's little theory, and they couldn't seem to be explained away as "joke" songs or "songs by someone else that the singer was just toying with" (like Clapton did to himself in his 'shuffle' version of Layla-more on that in another space). So what a great relief this week when I reviewed John Denver's Greatest Hits! And what songs do I mean? Well, of course "Take Me Home Country Roads" (the most Western popular song in the history of China, and according to a man in my building named Pat, "really huge in Ireland." And Pat knows his Irish music. And "Rocky Mountain High," a song who's rights were apparently bought out Peter Coors-so Mr. Coors.

Anyway, when I grew up, I knew these songs, well, very well. Everyone did-mid-late 70s, golden boy John Denver, who was considered such an angel that he plays a grocery store , manager who sees god in "Oh God!"-of course God (played by George "George" Burns) has to choose a man of the fine spirit and utter wholesome-itude. Who better than the never-acted-before Denver?

And growing up, beating away are these two songs that I think are supposed to reflect happiness, make me feel as high as Colorado, as close to Virginia. Then, I don't know, one day, I just had to admit to myself that both these songs were just truly miserable. And look at the speeds-Denver released 21 versions of each song (approximately), but let us say it is quite safe to know that the speeds for *both* songs are approximately 82 beats per minute, *smack in the middle* in a group of songs that simply reek of loneliness. And I said-true-"now he walks in quiet solitude…" "he was born in the summer of his 27th year.."---man, talk about lonely. And in Take me home, Country Roads, a double abstraction-a mind-bender that Denver sneaks in: "I get a feeling that I should have been home yesterday…." He drives it home…."…yesterday!" There it is. Abstraction #1: driving down the road and getting a feeling of something that you can never feel again, rather, something that you "should" have felt, and then removed again: Abstraction #2--…"yesterday!" Whoa. Talk about the danger of cell phones and driving. I hope Mr. Denver was driving safely when he wrote this. I mean, even Einstein had to *sit* in his train to invent his ideas.

So my point, kind readers, is that as searches of meanspeed where just calibrating the songs on your own will show, the songs below are deep deep in lonely-land, speed-wise. Know what though? Neil Young does this quite a bit, so do a few others: take the lonely speed (often make it a cut 2/4 country stomp like Take Me Home Country Road, Come A Time by Neil Young, I Am A Child by Young), and make the best of the happiness. Foreigner tried it with "I wanna know What Love Is." Huge comeback hit for them-everyone can relate to expressing loneliness in the form a desire to rejoin the community.

The MeanFrequencies of "Take Me Home, Country Roads" are:
meanspeed=82.1 beats per minute.
meanemotion=Loneliness.
meanphase=1.368 cycles per second.
meanspace=731 milliseconds between beats.
meanpitch=350.300 Hertz, 1/2 cent above F4=349.228 Hertz, 99 1/2 cents below Gb4/F#4=369.994 Hertz.

Ian Schneider
12 October 2006
NYC,
review republished from www.meanspeed.com

October 11, 2006

Lost to Dylan in court, but song still rocks! Hootie and the Blowfish, "ONLY WANNA BE WITH YOU," meanemotion=natural, meanspeed=103.4 beats per minute








Only Wanna Be With You is a pop song released in 1995 by Hootie & the Blowfish, the third single from their breakthrough album Cracked Rear View. It peaked at #6 on the Billboard Hot 100 chart in the United States, #3 on the Billboard Adult Contemporary chart, and #2 on the Billboard Mainstream Rock chart. It is most noted by its music video, which took the artistic form of an episode of ESPN SportsCenter. In addition to SportsCenter anchors Dan Patrick, Keith Olbermann, Mike Tirico, Charley Steiner and Chris Berman, several athletes were included. Among those appearing were golfer Fred Couples, basketball player Alonzo Mourning, and football player Dan Marino. The video was nominated in the Best Group Video category at the 1996 MTV Video Music Awards. Five lines from Bob Dylan's song "Idiot Wind" are quoted in the song, leading to a lawsuit. The song is at the speed of natural, the speed which we all found out last week coresponds to the universal, unisexual speed of sexual climactic pulses.

The MeanFrequencies of Only Wanna Be With You are: meanspeed=103.4 beats per minute. meanemotion=natural.
meanspace=0.580 seconds between beats.

meanphase=1.723 beats per second.

meanpitch=441.173 Hertz, 4.5 cents above A4=440.000 Hertz, 95.5 cents below Bb4=466.164 Hertz.


Ian Schneider

11 October 2006
New York, New York

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October 10, 2006

The Bold, The Cool, The Musician: Lou Reed, "Sweet Jane"--live with introduction, meanemotion=lust, meanspeed=110.6 pulses per minute








Walk on the Wild Side: The Best of Lou Reed is the first greatest hits compilation by Lou Reed, formerly of The Velvet Underground. It was issued by RCA records after the termination of Reed's first contract with them ended in 1976. Issued on compact disc on October 25, 1990. Intro into Sweet Jane is simply timely excellently BOLD and lustful.

Walk on the Wild Side: The Best of Lou Reed cover
Album by Lou Reed
Released 1977
Recorded January 5, 1972-October 18, 1975
Genre Rock
Length 40:50
Label RCA




The mean frequencies for the live version of Introduction and Sweet Jane by Lou Reed and the Velvet Underground are:

meanspeed=110.6 beats per minute
meanemotion=lustful
meanphase=1.843 beats per second
meanspace=543 milliseconds per beat.
meanpitch=471.893 Hertz, 20.5 cents above A#4/Bb4=466.164 Hertz, 79.5 cents below B4=493.883 Hertz.

Ian Schneider
10 October 2006
Home of the New York METS


Sweet Jane By: The Velvet Underground, Lou Reed
Album: Live with Lou Reed
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